Stanley E. van Wel MM (1961) is an all-round musician with a taste for American music and theatre. As a French horn player, composer, arranger, conductor and teacher, he brings many years of experience to the stage and classroom. Stanley studied for seven years at the Sweelinck Conservatory of Music in Amsterdam with Vicente Zarzo (French Horn – classical music), Charles Green & Steve Galloway (jazz music; composing & arranging) and Pierre Kuijpers (conducting). After graduation, he a.o. taught at his alma mater.
Throughout his career, Stanley performed in many orchestras, wind bands, big bands and ensembles throughout Europe, both on stage, for radio & television and in the recording studios. His credits include several first performances as a soloist, albums, etc. Stanley’s own compositions and arrangements are performed and recorded on albums, for radio & television. Watching him conduct is a theatrical experience in itself.
As a young man, Stanley was already taken by the sound of American music. He studied and performed American 20th century Modern classical music, jazz music and musical theatre. Stanley founded and conducted several orchestras and ensembles, including the Stanley van Wel Orchestra and the Benny Goodman Revival Orchestra®. The Sousa Tribute Band is his next logical step in performing American music.
WHERE DID IT ALL START?
Music came into Stanley’s life the day he was born. Both his parents loved music so much, they broke the rule of naming their first born son after his father. Instead, he was named after Stanley Newcomb Kenton, the famous jazz big band leader from the USA.
At the age of 4, Stanley and his friends visited the Military Tattoo in Delft. This was held only two streets from where they lived. While hearing all these great bands play and watch them march at the same time, he realized this would be his future. During the weeks after, Stanley and his friends paraded daily in the streets making music on pots and pans. His first musical instruments became the ukulele and harmonica.
PLAYING THE HORN
On his 12th birthday exactly, Stanley became a member of the municipal amateur Wind Band St. Cecilia in Rosmalen. Although he wanted to play trumpet, he started on a (right handed) mellophone. At 13, Stanley played in the Youth Wind Band and was a member of their Board. At 14, his parents bought him a trumpet. At 15, he switched to a (left handed) single Bb French Horn and started playing in the Concert Band as well. At 16, several things happened which became the catalyst for Stanley’s musical development.
The Concert Band entered the obligatory National Wind Band Competition held every four years. Two weeks prior to the date, the weekly rehearsals became daily events. All members were nervous, but Stanley thrived in this competition mode. The Concert Band was promoted to the highest level with honors. That same year, they recorded a single album with two marches. It took a full week and became a very interesting experience.
Although Stanley played 1st horn in the Concert Band, he was asked to play 4th horn in another Wind Band for the world premiere of the composition ‘Brabant and Maramures’ by Geza Frid. A challenge he liked a lot.
At 17, Stanley entered preliminary training where he studied music theory, eartraining and piano. He also learned to play on the double F/Bb French Horn.
PROFESSIONAL STUDIES AND WORK
At 18, Stanley’s rapid development into music went in overdrive when he entered the Brabant Conservatory of Music in Tilburg. Here he was asked to become a member of the student Concert Band of Oost-Brabant. Starting at 4th horn, going to 3rd, then 2nd and ending as 1st horn. At 20, he even became the band’s primary soloist. He stayed in the Concert Band for six years, after which it became the Dutch National Youth Wind Orchestra.
At 19, Stanley held this position when he entered the Sweelinck Conservatory of Music in Amsterdam which did not have a Concert Band. Ending year one, being the youngest student for French Horn, he was asked to become the substitute 4th horn in the Amsterdam Police Band. Stanley became their first substitute and the only one allowed to wear the police uniform, just like the regular musicians did. At 19, he played in a professional Concert Band. A position he held until at 27, when this unique band was dismantled due to budgetary cutbacks. Until that time, the only professional civil Wind Band in The Netherlands.
WHERE DOES IT ALL GO?
During the past 30+ years, Stanley gained new insights due to his many and diverse experiences within Music, Musical Theatre and the Performing Arts in general. Now he has set his eyes on developing The Sousa Tribute Band, with all the challenges and possibilities involved.
Stanley: “John Philip Sousa’s music is very energetic and frivolous at the same time. Strong and sturdy with a smile! It has sustained over more than a century without losing any of it’s potency. At the same time, a lot of Sousa’s music is still to be explored. We aim to perform this great music within Sousa’s own spirit: to inspire the one and for many to enjoy“.
For the man himself, getting back to his band days appears like going full circle. However, with his inventors mindset it can easily become a renewal of the genre. Stanley: “the future will surprise us all!”